In many blog posts, essays, and Facebook entries
of people I follow on the Internet there is the recurring theme about just what does a person get out of
practicing the martial arts if they were to name one, two or three things. They
run the gamut from the martial to the spiritual, or both, the budo, the warrior,
the samurai creed, the bubishi, this teacher, that sensei, zen, out-of –the box,
body-mind-spirit, and so on and so forth. All true. The bottom line is that no
one who practices any martial art is ever the same. This transformation–sometimes
called the path, the way–is very typical of the martial arts experience and
pretty much its overriding virtue.
The very first thing I newly experienced when I
began was that I must quiet the mind and let the body speak.
That was the first and everlasting hurdle to understanding the martial arts
experience. The body has a language that the mind must learn to listen to. The
body instructs the mind in this language. That is why the emphasis on the no mind: the don’t think but do.
Somewhere along that path the mind learns to dialogue with the body in the
silence of doing. It is not as effortless as it seems. Just the opposite. It is
constant struggle to work out a middle ground. The mind meets the body in
stillness and movement, in rituals of
breathing, focus, and rooting.
It begins with a teacher, students, a designated place, the basics, the abc’s, the formalities, the ceremonies, the history of those that went before, the eternal circle of learning, the legends, the myths: the style. It begins amidst a crowd and ends in the loneliest spot on earth: yourself.
All else–the hateful comparisons of just what is the truer manifestation of the art,
who’s the prince or the jester, the saint or the fool, is the mind in the hall of mirrors.
Sports are the vanities of youth, only arts permit
aging. A person practices his martial art from the workplace to the lover’s
bed, and all place in between. A martial artist is not a blowhard, but he who derives
meaning from the doing of his art. As a martial artist ages, his art ages with
him. It will be an art full of gaps and holes, in tatters, but yours. It will
be you.
In sum, a martial art is learning defeat with style. The ultimate kata or
form is learning how to die. To live and die with style, with meaning, with
humbleness and awe.
Old foes once, body and mind are in step on the path
of time.
The spirit soars.
3 comments:
Hello, as usual your post contains many points that are so eloquently expressed that it is a joy to read!
I recently posted about the issue of this is real, your style is wrong type nonsense that happens in aikido but you put it so much better than I managed. Thank you.
61Somewhat synchronously, I've just had a lengthy email exchange with a college-age correspondent who wanted to know why I did martial arts. He said that since I couldn't apply my skills on a regular basis to defeat someone, it seemed pointless.
He gave the example of Streetfighter 4 (the video game) and said no one would bother playing the game or practicing it were it not for the chance to play others online.
Apart from the obvious nonsense of comparing martial arts to a video game, I tried to explain to him that the reasons for training were a great deal more complex than "beating" an opponent. That the only real opponent is oneself. I should have simply pointed him your way, although I'm not sure if he is ready for your quiet wisdom.
Thanks for the great read.
Jorge,
What a eloquent post, with such deep and thought provoking and emotive passages.
All the best,
Chris Chin
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